Moroccans (at least in Rabat) are actually very into jazz. I
have none of the knowledge necessary to seriously speculate on the origins of
their interest, but it seems to have filtered into the culture here as a
European import. So basically there are
a few degrees of separation there from what we would regard as typical (and originally
American) jazz. The Chellah was packed,
with people sitting on the stairs and on the ground in front of the stage. We couldn’t even get tickets for the first
night because it was sold out in advance (that adventure is detailed at the end
of this post).
Brief side note: The
Chellah is this ancient castle in Rabat that has been converted into a high
brow event space and concert venue. And
it’s gorgeous.
Jazz au Chellah was an event sponsored by the European Union, and the European influence was very much evident in the crowd demographics and performing artists. In general, in Morocco, Darija (Moroccan Arabic for those who didn’t care enough to read my entry on Arabic) is the most commonly spoken language, though it is sometimes dropped in schools, in favor of Fus’ha or French. French, even since the colonial occupation of France ended in the 1950s, is often regarded as the language of education, erudition, and affluence. The MC’s and artists spoke almost exclusively in French, and even English. Most members of the crowd, including native Moroccans, spoke in French, English, or Spanish. It’s an interestingly subtle reflection of the linguistic divisions that are continually re-asserted here by the influence of European culture. That’s my take anyway.
The three bands slated to play for that Friday were from Italy, Croatia, and Morocco, respectively (and theoretically were all jazz, given that this was a jazz concert). The Italian band, the Nuevo Tango Ensamble, was really enjoyable. I wouldn’t necessarily call them “jazz,” but I’m also not familiar with European style jazz. They were energetic, had a nice stage presence, told some jokes in French that I didn’t entirely understand, and just generally had a nice sound. Interestingly, they did sound very “Italian” (whatever that may mean – gondolas and Venice and whatever). Their trio was piano, guitar, accordion, and they did well with their hour-long set. I’ve uploaded some short videos of their sets below (no promises on quality).
The second band, the Tamara Obrovak Quartet, is perhaps beyond description. And not in a positive way. Toward the start of their set, it was fine. Not really jazz again, but more like Croatian folk music or something with melodramatic singing, bass guitar, piano, and drums. The drummer seemed actually to be very talented. But the singer really started to kill the vibes for everyone pretty quickly. Technically, the Tamara Obrovac Quartet (starring Tamara Obrovac, her distinctive keening voice, and really painful posing) was supposed to play their hour set and then the Moroccan band would go on. But they wouldn’t leave the stage. I’m not even joking. After close to two hours of Tamara wailing, the Moroccan band members came out and participated in some very strange mash-ups (apparently in an attempt to get at least some of their slated stage time), including a rendition of a song that could only be titled “Pop Star ” (video below). While the video is only a minute or so long, I can assure you that the song went on much, much longer, with many more repetitions of the words “pop star” (though with a Croatian accent it sounds unfortunately like “poop star”….). We were actually some of the last audience members to bail (Tamara really cleared the stands), after giving up the hope that we’d actually get to see the Moroccan band (the Rachid Zéroual Ensemble).
Tamara Obrovak literally cleared the stands |
So long story short, we went to a jazz fest at this really
cool castle thing, heard a good band and a bad band, and never really got to
hear Moroccan jazz.
A follow-up on my earlier mention that we couldn’t get in
the first night:
We actually kind of got the giant castle doors shut in our
faces, along with about a hundred other people.
So our little group set off to find milkshakes. Since clearly if you can’t have jazz, you
should have chocolate milkshakes instead.
There ended up being a really unfortunate incident in which a glass
tabletop shattered all over our feet at a café, when the waiter tried to move
it. And milkshakes in Morocco are
terrible (like weird chocolate milk with a lump of ice cream at the
bottom). But some vendor gave some of us
free flowers. So there’s that.
More adventures to come. We are headed out to the Sahara
today. (Yeah, that means camels.)
But we don’t have internet out here (even with magic wifi
sticks), so who knows when this post will go up.